The Gear Debate: Tools vs Craft in Photography
It’s one of the most debated topics in photography: does gear really matter? As someone who has used everything from entry-level cameras to high-end models like the Sony A7CR and Fujifilm XT5, I believe the answer is nuanced. Gear, at its core, is just a tool. It won’t make you a better photographer—but the right tools can make certain tasks easier or more efficient. When I started my wildlife photography journey, I used an entry-level Sony A6100 and a kit lens, which taught me the fundamentals of light, composition, and timing. Upgrading later to better lenses and cameras didn’t magically improve my skills; it was years of consistent practice that made the difference.
Should you invest in better gear? It depends on your goals. If you’re photographing motocross or wildlife at a professional level, specialized equipment can be essential. But for most hobbyists or beginners, mastering your current gear and focusing on creativity, light, and storytelling are what truly make a photo great—not the price tag on your camera. At the end of the day, photography is about passion, practice, and perspective. Let’s not get caught up in the tools. Instead, let’s focus on creating, learning, and sharing our unique visions with the world. What do you think? Let’s continue the conversation in the comments!
How I’m Simplifying My Photography Journey in 2025
As we step into 2025, I want to take a moment to wish you all a happy and safe New Year. Whether 2024 was kind to you or filled with challenges, I hope this year brings new opportunities for growth, creativity, and joy.
This video—and this post—serve as a check-in for both myself and you, my wonderful community. Let’s talk about what’s ahead for this channel, my photography, and the creative projects I’m excited to pursue.
Celebrating Consistency in 2024
Looking back, December was a milestone for me—I managed to upload 27 videos in just 31 days! This was a personal best and an exciting way to wrap up the year. While I didn’t hit the perfect streak, the effort itself was immensely rewarding.
But as January began, I took a pause. Sometimes, life, family, and the need to recharge take priority. And that’s okay. Moving forward, the pace of videos will slow, but the quality and passion will remain.
What’s Coming in 2025?
Thoughtful Gear Usage
I’ve decided to embrace a photography no-buy year in 2025. No new gear—just fully exploring and appreciating the cameras and lenses I already own. For me, this includes:A few well-loved lenses
This year, I’m also committing to a “one lens per month” challenge to push myself creatively and rediscover the joy of simplicity.
Focus on Everyday Photography
My daily photography practice will continue, but I’ve shifted to using the Day One app as a visual diary. It’s a great way to document life’s moments while building a personal photo archive I can reflect on year after year.Content That Resonates
On this channel, I’ll be focusing less on traditional gear reviews and more on sharing authentic experiences with the equipment I have. Whether it’s six-month reflections or discussions about what I’ve learned, expect a deeper dive into how gear fits into real-world photography.Website Writing and Community Building
Writing has always been a challenge for me, but I’ve set a goal of publishing two blog posts per week on my website. Some will be deep dives, others quick updates—but all are meant to spark inspiration and conversation.
I’m also planning to create a Discord community where we can connect more directly. Let’s make 2025 the year of meaningful connections.
The Minimalist Approach
Inspired by a powerful article on minimalism in photography collections, I’ve been decluttering my archives. By focusing only on my best images, I’ve freed up storage space and embraced a more intentional approach to my craft. It’s both terrifying and liberating to let go, but it feels right.
Gratitude and Goals for 2025
To everyone who watched, commented, and supported this channel in 2024—thank you. This channel wouldn’t exist without you, and I’m deeply grateful for your encouragement.
So now I ask: What are your goals for 2025? Whether they’re personal, professional, or creative, I’d love to hear about them. Let’s inspire each other to make this year one of growth and purpose.
Thank you for being part of this journey. If you enjoy conversations about photography, creativity, and philosophy, don’t forget to like, subscribe, and join me for more. Here’s to a fantastic 2025!
Why More Megapixels Aren’t Always Better: Choose the Right Camera For you
As a hobbyist photographer, I’ve have the privilege of owning and using both the Sony A7CR, a 61-megapixel powerhouse, and the Sony A7II, a reliable 24-megapixel workhorse. While the A7CR has its perks—especially for tasks like cropping and recomposing—I’ve realized that more megapixels don’t automatically make it the better camera for most photographers. In this post, I’ll share my experiences with both cameras and explain why a higher resolution isn’t always the upgrade it’s made out to be.
Let me start by saying that the Sony A7CR is an incredible camera. Its high-resolution sensor is perfect for those times when I need to crop into an image or recompose after the fact. It’s lightweight, versatile, and has become my go-to daily-use camera. One of its standout features is its ability to shoot in APS-C mode, which effectively gives me extra reach with the same lens. It’s like having two cameras in one, which is a huge benefit when I’m out and about. But even with all that, I wouldn’t rush to recommend it to every hobbyist photographer.
Here’s the thing: the 61-megapixel files the A7CR produces are massive. They take up a ton of storage space and can really slow down your editing workflow, especially if your computer isn’t up to the task. For most people, the 24-megapixel sensor in the Sony A7II is more than enough. Unless you’re regularly printing billboard-sized images or doing extreme cropping, the difference in resolution is negligible. The A7II produces beautiful, detailed images, and its smaller file sizes make editing and storage so much easier. That simplicity can’t be overstated when you’re juggling photography with everything else life throws at you.
More megapixels might sound exciting, but they aren’t always the upgrade they’re made out to be.
Another thing I’ve noticed is how these cameras handle low-light situations. Despite being older, the A7II still holds its own. In fact, its larger pixel size can sometimes give it an edge in low light, producing cleaner images with less noise. The A7CR performs well too, but the higher resolution can make noise more noticeable in certain situations. It’s a reminder that megapixels aren’t the whole story when it comes to image quality.
Then there’s the cost. The A7CR is a premium piece of gear, and while it’s worth every penny for photographers who need its capabilities, it’s not a necessity for everyone. The A7II is significantly more affordable and delivers incredible performance for the price. That extra money could easily go toward lenses or other gear that might make a bigger difference in your photography.
For most hobbyists, a well-balanced, easy-to-use camera like the A7II is more than enough to create amazing images.
Ultimately, choosing the right camera comes down to what you actually need. While I love the versatility of my A7CR, I’ve captured some of my favorite photos on the A7II. More megapixels might sound exciting, but they aren’t always the upgrade they’re made out to be. For most hobbyists, a well-balanced, easy-to-use camera like the A7II is more than enough to create amazing images.
At the end of the day, photography is about capturing moments and enjoying the process—not getting lost in specs or gear envy. Whether you’re shooting with a high-megapixel beast like the A7CR or sticking with a reliable performer like the A7II, the most important thing is to keep shooting, learning, and having fun.
Feature | Sony A7CR | Sony A7II |
---|---|---|
Resolution | 61 megapixels | 24 megapixels |
Use Case | Great for cropping and recomposing | General photography, sufficient for most needs |
File Size | Larger, requires more storage and processing power | Smaller, more manageable workflow |
Low-Light Performance | Good, but higher noise in very low light | Excellent in low light with less noise |
Price | Premium price | More affordable |
Portability | Lightweight and versatile | Heavier but still portable |
Unique Feature | APS-C mode for extended reach | Balanced performance for everyday photography |
Daily Use | Primary camera | Occasional use |
Sigma 90mm f/2.8 First Impressions: A Lightweight Telephoto Lens for Everyday Use
I purchased the Sigma 90mm f/2.8 lens to pair with my Sony A7CR. Although I own the Sony 90mm macro lens, its size and weight make it less practical for everyday use. The Sigma, on the other hand, is small, light, and perfect for casual shooting.
I stumbled across this lens by chance while watching a video on an entirely different topic. Once I discovered it, I immediately sought out a used one and snagged it for a great price. Despite being pre-owned, it arrived in pristine condition and has quickly become my most-used lens.
Key Features
Here’s a quick rundown of the features I appreciate most about the Sigma 90mm f/2.8:
Compact Design: This lens is refreshingly lightweight and compact, especially compared to the Sony 90mm macro. It fits easily into my travel bag and pairs beautifully with the A7CR for a balanced setup.
Aperture Ring: The lens includes a dedicated aperture ring, which I love. While I occasionally forget to use it and instinctively reach for my camera controls, this feature adds a tactile, satisfying element to shooting.
Weather Resistance: While it’s not fully weather-sealed, the gasketed design provides some protection against the elements, making it a reliable choice for outdoor photography.
Affordability: At around $650 new (and even less used), this lens is significantly more affordable than many other telephoto options on the market.
Performance and Versatility
The Sigma 90mm f/2.8 is a stellar performer for photography. Here’s what I’ve experienced so far:
Travel-Friendly: Its small size makes it an ideal travel companion. I recently packed it alongside my Fuji X-T5 with a 23mm f/2 and my Ricoh GR3X for a trip, and the three-camera setup fit comfortably in a single carry bag.
Focal Length Flexibility: On my full-frame A7CR, the 90mm focal length is fantastic for portraits and everyday photography. Switching to APS-C mode gives an effective focal length of 135mm, making it a versatile telephoto option.
No Stabilization: Unlike the Sony 90mm macro lens, the Sigma 90mm lacks optical image stabilization. While this isn’t an issue for my A7CR, which has in-body stabilization, it’s something to consider if you’re using a camera without this feature.
Street Photography: For someone like me, who’s introverted and prefers to keep a comfortable distance from subjects, this focal length is a game-changer. It delivers beautiful compression and background separation without requiring me to get too close.
How It Compares to the Sony 90mm Macro
This isn’t a direct comparison, as the two lenses serve different purposes. However, here are a few quick thoughts:
Size & Weight: The Sigma is about half the size and a third of the weight of the Sony lens, making it much easier to carry around for extended periods.
Macro Capabilities: The Sony 90mm macro is unbeatable for close-up photography, but the Sigma is more practical for everyday use.
Price: At around $1,000, the Sony lens is significantly pricier than the Sigma.
Final Thoughts
The Sigma 90mm f/2.8 has been a fantastic addition to my kit. Its compact size, affordability, and image quality make it an excellent option for anyone looking for a telephoto prime lens. Whether you’re shooting portraits, street photography, or general travel photos, this lens offers a lot of versatility without weighing you down.
If you’re intrigued, I recommend picking one up—new or used—and giving it a try.
Check Out Sample Photos
Is the Sony A6100 Worth It in 2025? Affordable and Powerful for Beginners
The Sony A6100, despite being released in 2019, continues to impress photographers, especially those just getting started. With its compact design, superb autofocus, and access to the powerful Sony E-mount lens system, this camera remains an ideal choice for anyone looking to upgrade from a smartphone.
Having recently revisited the Sony A6100 to hand it off to my son for his photography class, I was blown away by the image quality and performance it still delivers.
Specification | Sony a6100 | Sony a6400 | Sony a6600 |
---|---|---|---|
Announcement Date | August 2019 | January 2019 | August 2019 |
Sensor | 24.2 MP APS-C CMOS | 24.2 MP APS-C CMOS | 24.2 MP APS-C CMOS |
Processor | BIONZ X | BIONZ X | BIONZ X |
ISO Range | 100 - 32,000 (Expandable to 51,200) | 100 - 32,000 (Expandable to 102,400) | 100 - 32,000 (Expandable to 102,400) |
Autofocus Points | 425 Phase Detection + 425 Contrast AF | 425 Phase Detection + 425 Contrast AF | 425 Phase Detection + 425 Contrast AF |
Real-Time Eye AF | Yes | Yes | Yes |
Continuous Shooting | 11 fps | 11 fps | 11 fps |
Video Recording | 4K @ 30fps, 1080p @ 120fps | 4K @ 30fps, 1080p @ 120fps | 4K @ 30fps, 1080p @ 120fps |
In-Body Image Stabilization | No | No | Yes, 5-Axis IBIS |
Viewfinder | 1.44M-Dot OLED EVF | 2.36M-Dot OLED EVF | 2.36M-Dot OLED EVF |
Battery Life (CIPA) | 420 shots | 410 shots | 810 shots |
Price (Approx) | $750 (Body Only) | $900 (Body Only) | $1,200 (Body Only) |
Recommendation: If you can afford it, the A6600 offers the best long-term value with features that can last 5-7 years. However, the A6100 is still a fantastic, affordable option.
Why You Don’t Need the Sony A6700
While the Sony A6700 is the latest APS-C camera in this lineup, I don’t recommend it for beginners. It’s more camera than most newcomers need and far pricier.
Instead, I believe camera technology peaked in 2019. The improvements since then—like AI-powered autofocus or 8K video—are marketing-driven and rarely practical for beginner photographers.
The A6100, A6400, and A6600 still offer everything you need to take amazing photos and video.
Should You Buy the Sony A6100?
If you’re a beginner photographer or looking for an affordable entry-level camera, the Sony A6100 is a fantastic choice. Its autofocus performance, compact size, and lens versatility make it a camera that can grow with you.
For those willing to spend more, the A6600 adds key features like in-body image stabilization and better battery life, making it a great long-term investment.
Sony A7CR Complaints Debunked: An Amateur Photographer's Perspective
If you're considering the Sony A7CR, you may have heard a lot of opinions about its shortcomings. As a hobbyist photographer who uses this camera daily, I wanted to address the five most common complaints and share my perspective. Is it perfect? No. But does it deliver what I need as an enthusiast? Absolutely. Let’s dive in.
1. The EVF (Electronic Viewfinder)
The complaint: The EVF isn’t cutting-edge compared to newer cameras.
My take: While the EVF on the A7CR isn’t the most advanced, it’s all about perspective. Coming from the Sony A7II, I find the EVF to be a significant improvement. For everyday use, it’s perfectly adequate, and the rear screen is bright enough even on sunny days. Unless you’re accustomed to high-end professional EVFs, this likely won’t be a deal-breaker.
2. Lack of a Second SD Card Slot
The complaint: Only one SD card slot limits redundancy for professionals.
My take: This camera isn’t aimed at professionals shooting weddings or critical events—it’s a high-end enthusiast camera. For someone like me, one card slot is more than sufficient. I’ve used cameras like the Ricoh GR3X and the A7II, both of which also had single card slots, without any issues. If you’re a hobbyist or enthusiast, this isn’t a major concern.
3. Limited Continuous Buffering
The complaint: The buffer fills quickly during burst shooting.
My take: How often do enthusiasts truly need high-speed continuous buffering? Personally, I don’t shoot motocross, F1 races, or fast-paced wildlife. I capture moments with my family, my dog, and landscapes—and the A7CR handles these scenarios beautifully. For hobbyists, this is a non-issue.
4. Handling and Ergonomics
The complaint: The camera lacks a joystick and feels small in hand.
My take: While the lack of a joystick might bother some, I’ve found the directional wheel and touchscreen to be more than adequate for moving focus points. Adding a thumb grip or a base plate can improve ergonomics for those who need it. It’s not the most comfortable camera in the world, but for its compact size and portability, it’s a fair trade-off.
5. Video Limitations
The complaint: No 8K recording and only a micro HDMI output.
My take: This is a photographer’s camera. If you prioritize video features, there are plenty of hybrid cameras out there. While the A7CR can shoot 4K video, it’s not designed to be a video powerhouse. For me, my iPhone is sufficient for video needs. This camera excels at what it’s meant to do: photography.
Final Thoughts
Every camera has trade-offs, and the Sony A7CR is no exception. However, for hobbyists and enthusiasts looking for a compact, high-resolution camera with excellent image quality, these complaints are minor in practice. If you’re realistic about your needs and expectations, this camera delivers an exceptional experience.
What are your thoughts on the A7CR? Do these criticisms resonate with you, or do you find them overblown? Let me know in the comments below.
Samsung ECX1: A Nostalgic Dive Into Film Photography
The Samsung ECX1 isn’t just any camera—it’s one with a personal history. My dad had several of these cameras, and I remember thinking it was the coolest thing when I was a kid. Finding it again during Thanksgiving felt like uncovering a piece of my past. Despite years of disuse, it still works perfectly, and I’m eager to experiment with it.
This camera, designed by Porsche and styled to mimic a race car steering wheel, even features a panoramic mode that crops the top and bottom of the frame for a unique touch. It’s a mix of functionality and design, and I can’t wait to learn its quirks—like figuring out what all the buttons do!
Why Film?
Film photography is having a resurgence, but for me, this isn’t about following a trend. It’s about trying something different. I love my digital cameras, but film offers a tactile, rewarding experience: from handling the camera to developing prints and scanning negatives.
I know I’ll make mistakes. My first shots might be out of focus or poorly composed, but I’m ready to embrace the learning curve. There’s something liberating about experimenting without the pressure of perfection.
Calling All Film Enthusiasts: I Need Your Help!
As a complete film novice, I have a lot of questions, and I’m reaching out to you for advice.
Where can I find affordable film?
I’m looking for reasonably priced film, preferably 400 ISO, which I’ve heard works best with the ECX1. If you have favorite brands or shops—whether it’s Amazon, Target, Walgreens, or somewhere else—please share!What do I do with the film after shooting?
Do you recommend scanning negatives yourself, or should I use a professional service? I’d love tips on where to get scans done or what equipment I might need if I try DIY.
A New Adventure in Photography
This is just the beginning of my film photography journey, and I’m excited to share the process with you. While my channel isn’t shifting to focus solely on film, I’ll occasionally update you on my progress, mistakes, and lessons learned.
The best part about this hobby is the community, and I hope my experience inspires others to try something new in their photography practice.
Join Me on This Journey
Have tips, tricks, or recommendations for film photography? I’d love to hear from you in the comments! Your advice can make all the difference as I dive into this new (and slightly intimidating) world.
If you’re into photography—whether it’s gear, techniques, or philosophy—don’t forget to subscribe to my channel. I’m posting daily videos throughout December, so stay tuned for more adventures.
Thanks for stopping by, and I’ll see you in the next post!
Sony a7CR First Impressions: The Ultimate Compact Full Frame Camera for Hobbyists
My First Impressions of the Sony a7CR: A Game-Changer for My Photography Workflow
There’s a new addition to my photography kit, and I can’t stop smiling about it: the Sony a7CR. It’s compact, powerful, and fits perfectly into my style of shooting. Let me walk you through why I think this camera is an absolute gem for hobbyist photographers like me.
A Compact Powerhouse
First and foremost, the form factor of the a7CR is a dream come true. It’s small, lightweight, and incredibly portable without sacrificing any of the high-end features I’ve come to expect from a modern full-frame camera. It feels like the perfect balance between portability and performance, and for someone who loves walking around with a camera, that’s huge.
At the heart of this camera is Sony’s impressive 61-megapixel sensor. Not only does it give me incredible image quality, but it also opens up a world of flexibility. I love having the option to crop deeply into my shots without losing detail, which is perfect for those moments when composition in-camera isn’t quite right. On top of that, the a7CR works beautifully with APS-C lenses, still delivering a very respectable 38 megapixels. That’s versatility I never thought I’d need but now can’t imagine living without.
Building My Kit
I’ve kept my accessories minimal: a Sigma 90mm lens, a thumb grip, and a screen protector. The Sigma 90mm has quickly become my go-to lens for this setup, and it’s completely transformed how I shoot. I used to love my Sony a7II paired with the 90mm macro lens, but that combo was a bit of a beast to carry around. It was heavy and cumbersome, and I often stayed at home as a result. Now? This new setup is light and nimble, and I bring it everywhere. Having a telephoto option like this with the ability to crop further in APS-C mode has been fantastic.
Another key part of my kit is the Ricoh GR IIIx. With its fixed 40mm lens, it perfectly complements the 90mm setup on my Sony a7CR. Together, these two cameras cover a versatile range of focal lengths in an extremely portable package. It’s a combo that feels just right for my style of shooting.
Why I Chose the a7CR
When I decided to upgrade, I had a few non-negotiables: better autofocus, advanced subject detection, USB-C, a high-resolution sensor, and a smaller form factor. I didn’t need dual card slots, weather sealing for Arctic expeditions, or blistering burst rates. My needs are simple—reliable, high-quality stills. For me, the a7CR checks every box.
I don’t shoot video, but I appreciate knowing that if I ever need it, the a7CR has me covered. It reminds me of Sony’s RX1 lineup—small, high-end cameras with full-frame sensors and premium fixed lenses. The a7CR carries that same spirit, but with the flexibility of interchangeable lenses. I can turn it into my own RX1-like setup by pairing it with compact primes like the 24mm, 35mm, or my trusty 90mm. That kind of adaptability is priceless.
A Long-Term Investment
This camera feels built to last—both in design and relevance. As someone who doesn’t feel the need to chase the latest tech trends, I see this as an investment in my long-term photography journey. Camera tech has certainly improved over the years—more megapixels, faster shutter speeds, better tracking—but for hobbyists like me, the fundamentals haven’t really changed. What matters most is creating meaningful, lasting images, and I know the a7CR is more than capable of that for years to come.
A Thought on Upgrading Gear
I recently heard some advice that resonated deeply with me: use your gear as long as it serves your needs, and when it’s time to upgrade, get the best version you can afford—then stop looking. Don’t chase the latest shiny thing. Focus on what truly matters: capturing memories, preserving fleeting moments, and creating images that stand the test of time. That’s exactly how I approached this upgrade, and it feels so liberating to know I’ve found the perfect tool for my creative needs.
Looking Ahead
I can’t wait to see where this camera takes me. From local walks to future travels, the Sony a7CR feels like the perfect companion for this next chapter of my photography. If the first few weeks with it are any indication, it’s going to be with me for a long, long time.
Here’s to creating, exploring, and capturing more of life’s fleeting moments.
Photography Growth Made Simple
If you’ve ever felt creatively stuck, like I have, then you know how refreshing a little challenge can be. Inspired by my October project where I captured and shared a photo every day, I’ve decided to do it again for December—with a twist. This time, I’m taking daily pictures and recording quick videos about photography tips, books, and ideas. Let me walk you through what I’m up to, and maybe it’ll inspire you to join in!
Why a Daily Photography Challenge?
As an amateur photographer, I find these challenges incredibly rewarding. They push me to notice the beauty in the mundane, step outside my comfort zone, and think critically about why I choose to take certain photos.
Last time, I realized that taking pictures is easy, but articulating why you took them is where the growth happens. It forced me to slow down and understand my creative process.
The Plan for December
Here’s what I’m doing this month:
Daily Photo + Reflection
Take one picture daily.
Share it on Glass
Save it to my personal Day One journal for reflection.
👉 If you’re curious about my photos, you can check them out on Glass—no subscription required!
Daily Video
Short videos sharing thoughts on photography: tips, tricks, and book recommendations.
Don’t worry—no day-in-the-life content! Just straightforward photography-focused content.
I’m keeping it simple and sustainable. Each step is designed to nurture creativity without pressure.
Want to Join the Fun?
If you’ve been looking for a reason to dust off your camera, now’s the time! Here’s how you can participate:
Start Your Own Challenge
Take a photo every day for the month of December. Post it wherever you like: Glass, Flickr, your website—it’s up to you.Need Inspiration?
Here is a photo prompt list to help spark ideas. Whether it’s wintery landscapes, cozy indoor moments, or abstract details, there’s always something to capture.
Tips for a Successful Challenge
Don’t aim for perfection. This is about practice, not perfection.
Reflect on your photos. Ask yourself: Why did I choose this? What caught my attention?
Have fun with it. There’s no competition here—just personal growth and creativity.
Why You Should Try This
Whether you’re a beginner or a seasoned photographer, a daily challenge can:
Break you out of creative ruts.
Help you discover new techniques.
Provide a snapshot of your life in a unique way.
For me, it’s about connecting with my passion for photography while also sharing it with a community of like-minded people.
Let’s Get Started!
I’ll be sharing updates on my journey through Glass and in my daily videos (which will live in a dedicated December playlist). If you’re ready to challenge yourself, grab your camera or phone and join in. I promise—it’s worth it.
Thanks for reading, and don’t forget to hit the subscribe button if you’re into photography, creativity, or just enjoy a middle-aged guy rambling about cameras. Let’s make this December one to remember!
Links Mentioned:
My Long-Term Photography Gear Setup
Lately, I’ve been thinking a lot about my photography gear and how I can create a setup that lasts me a long time. You know, something that won’t have me constantly upgrading or second-guessing my choices. For me, photography is about capturing memories and documenting life—not chasing the latest tech. So today, I want to share my thoughts on building a long-term photography kit and what that looks like for me.
What Does “Long-Term” Mean to Me?
When I think about “long-term” in terms of camera gear, I’m looking at something that can last 7 to 10 years—or longer. Most cameras these days are built to endure, and I’ve seen firsthand how a decade-old camera like my Sony a7 II still holds its ground. It’s not perfect and definitely showing its age, but it’s been a solid companion.
That said, what’s “long-term” for me might be different for you. Maybe your sweet spot is 3 to 5 years or even 12 years—it really depends on how you use your gear and how often you like to upgrade. I treat my cameras the way I treat my cars: I keep them for a long time and don’t upgrade often.
What Are My Photography Needs?
To build a setup that works for the long haul, I had to think about what I need right now and what I might need in the future.
Right now, my photography is all about my family and daily life. I document things like my son’s baseball games, hikes with my wife, and my dog, Pixel, on our daily walks. It’s nothing fancy—just the everyday moments that matter to me.
Looking ahead, I don’t see my style changing drastically. In a few years, when we’re empty nesters, I might take more solo camping trips or dive into bird photography. But I’m not going to be climbing mountains or shooting extreme sports. I also know I’ll stick to still photography. Video just isn’t my thing—I’ll leave that to my phone or action cameras.
For me, portability is huge. I don’t want a ton of bulky gear. My dream is to fit everything into a small camera bag, maybe a six-liter one, and be ready to go.
My Long-Term Photography Kit
Once I figured out my needs, I started putting together a kit that could work for me both now and in the future. Here’s what I’ve got:
1. Ricoh GR IIIx – Everyday Compact Camera
This little guy is perfect for my day-to-day shooting. The 40mm lens is just the right focal length for the kind of photos I love taking, and it’s small enough to fit in my pocket. With its APS-C sensor, image stabilization, and f/2 lens, it punches way above its weight class. I take it everywhere—it’s my go-to for casual walks, family outings, and spontaneous moments.
2. Fujifilm X-T5 – Creative Powerhouse
This camera has been a breath of fresh air. The film simulations on the X-T5 mean I don’t have to spend hours editing anymore—most of my photos come straight out of the camera exactly how I want them. It’s weather-resistant, has dual card slots, and feels solid in my hands. Plus, the Fujifilm community is incredible, and their love for older models like the X-T2 and X-Pro 1 gives me confidence that this camera will stick with me for years.
3. Sony a7C R – High-Resolution Workhorse
My Sony cameras (the a7 II and a6100) have served me well, but they’re starting to show their age. The a7C R is my way of upgrading while sticking to what I love about Sony: incredible image quality in a compact package. The 61MP sensor is a beast, and I love that I can switch to APS-C mode and still get 28MP images. It’s small, lightweight, and feels like the perfect bridge between my current needs and future aspirations.
The Long-Term Mindset
What I’ve realized is that creating a long-term photography kit isn’t just about the gear—it’s about simplifying my life. It’s about focusing on what matters: the photos and the memories. Sure, I’ll still nerd out about cameras and lenses, but at the end of the day, I don’t want to be distracted by constantly upgrading.
My Wishlist: Built-In Storage
One feature I’d love to see in future cameras is built-in storage. Leica and DJI are already doing it, and I think it’s a game-changer. Imagine having 64GB or even 1TB of storage built into your camera! It’s perfect for those times you forget your memory card, and it would just make life easier. Fingers crossed that brands like Sony and Fujifilm catch on.
Wrapping It Up
So that’s where I’m at with my photography kit. I feel like I’ve built a setup that can last me 7 to 10 years, and it feels good knowing I won’t need to upgrade anytime soon.
What about you? Do you think about creating a long-term photography kit, or do you prefer upgrading more often? I’d love to hear your thoughts, so drop a comment below and let’s chat!
Thanks for reading, and I’ll see you in the next post!
Forget Perfect Shots: The Real Secret to Meaningful Photography
The Early Days: Fun Without Pressure
When I first picked up a camera, all I wanted was to take good pictures. Photography was about having fun, documenting my life, and seeing those improvements from day to day. There was no pressure, no perfection to strive for—just the joy of capturing moments as they unfolded. It wasn't until I started doing professional photography that the pursuit of perfection crept in.
The Professional Years: Striving for Perfection
I remember the intensity of photographing weddings. People paid me to capture the kiss, the first dance, the most important moments of their day. The pressure was enormous—you can't ask a couple to redo their wedding because of a missed shot. And when I took on headshots, corporate events, and product photography, the pursuit of perfection remained. I wanted each image to show people and products in their best light, especially in a world dominated by social media, where every sunset and waterfall seemed perfectly sharp and flawlessly framed.
Rediscovering the Joy of Imperfection
Over time, I moved away from professional photography and began taking pictures for myself again. I started capturing my everyday life—the walks with my wife and dogs, the little moments that made my days special. It was during this period that I realized something profound: perfect pictures are neither possible nor necessary. When I take a photo of my family on a walk, I don't make them pose. If the photo comes out a little blurry or imperfect, it’s okay. What's more important is that it captures the genuine moment we shared.
Inspiration from the Greats
Lately, I've been finding inspiration in the works of photographers like Vivian Maier and Gordon Parks. Their images aren't always perfectly framed or pin-sharp, but they are full of life, meaning, and stories. One of Gordon Parks' most iconic photos—a cleaning lady standing in front of the Lincoln Memorial—isn’t perfectly crisp, but it speaks volumes about resilience and the American experience.
Embracing the Moment
When I look at old photos of my dogs who are no longer with us, I don’t care if they’re perfectly sharp or if I got the camera settings just right. All that matters is the memories—those road trips, those playful afternoons in the yard. I’ve realized that my obsession with perfection in the past meant I missed out on genuine moments. Asking people or pets to pose took away the spontaneity and authenticity that make those memories so meaningful.
The Beauty of Imperfection
Instead of aiming for perfection, I now focus on capturing the truth of a moment. I let kids play and be themselves instead of asking them to say "cheese." I embrace the beauty in the imperfect—whether it’s a blurry paw mid-run or a windswept hair across a smiling face. These moments, imperfect as they are, tell the real stories of our lives.
Focus on What Matters
To all of you out there: whether you're hiking a scenic trail, capturing your children at play, or documenting the little moments of everyday life, don't get caught up in trying to make every picture perfect. Embrace the moment. Take the photo as it is. Ultimately, it's not about perfection—the story you're telling, the memories you're preserving, and your life.
Fujifilm X-T5: The Best Camera for Documenting Your Daily Adventures
For the past six months, the Fujifilm X-T5 with the 16-80mm "kit lens" has been my trusty sidekick. Despite the stigma around kit lenses, this one stands out. Its all-metal build offers durability and a premium feel, making it heavier but worth the weight for its quality.
What I love about the X-T5 is how it simplifies photography. The straight-out-of-camera JPEGs are a game-changer for someone like me who’s tired of editing every photo. Add in the tactile dials and buttons reminiscent of classic film cameras, and you’ve got a tool that feels as good as it performs.
Why the Fujifilm X-T5 Works for Me
Perfect for Daily Life
Compact, but not pocketable: While not as small as my Ricoh GR3X, it fits well in a jacket pocket, making it ideal for walks with Pixel or family outings.
Versatile kit lens: From landscapes to close-ups, this lens has me covered without constantly swapping gear.
Inspiring Creativity
The Fujifilm community takes this camera to another level. With film recipes from creators like Fuji X Weekly, I’ve been exploring built-in settings that mimic the nostalgic look of film photography. No heavy edits—just shoot and share.
Great for Documenting Change
Walking the same park year-round has taught me to appreciate nature’s changes. The X-T5 effortlessly captures the subtle transformations in light, color, and texture. It’s a reminder to revisit places often—you’ll be amazed at how they evolve.
Full Frame vs. APS-C: Do You Really Need More?
Yes, I still adore my Sony A7II for its full-frame prowess and stunning 90mm lens. But realistically, do most of us need full frame? Probably not. The X-T5’s 40MP APS-C sensor is more than enough for capturing life’s simple moments with clarity and detail.
Accessories & Alternatives
The fun doesn’t stop at the X-T5. Accessories like pancake lenses, leather housings, and even customizable shutter buttons offer plenty of personalization options. While I’ve dabbled with the TTArtisan 28mm and Fujifilm 23mm, I often stick to the kit lens for its versatility.
Looking Ahead: Upcoming Photography Projects
Thanksgiving is just around the corner, and I’ve got a personal project planned while visiting family. Though tempted by the allure of new cameras like the Sony A7CR, I remind myself the X-T5 is more than capable of bringing my vision to life.
Final Thoughts
The Fujifilm X-T5 has redefined photography for me. It’s not about having the “perfect” camera—it’s about finding one that matches your lifestyle. Whether you’re documenting family memories, exploring local parks, or simply enjoying creative expression, this camera delivers.
Letting Go of Expectations Can Transform Your Photography
I first learned about the concept of “emptying your cup” long before I even knew it had a name. Back then, it came from an unlikely source—photographer Jay Maisel. In one of his interviews, he explained how he never set expectations for what he was going to capture, whether it was a paid commercial shoot or a simple walk through the streets of New York. He approached every situation with an openness, allowing himself to be surprised by what he found, and that really struck a chord with me.
At that time, I was in the habit of going out with a shot list in my head, mentally planning the perfect scenes I wanted to capture. But as I listened to Maisel’s philosophy, I realized that this approach was limiting my creativity. I wasn’t allowing myself to really see what was in front of me. Instead, I was laser-focused on getting a particular shot, often missing the unexpected beauty unfolding right beside me. That’s when I started to shift.
Now, every time I pick up my camera, whether I’m walking the dog or heading out on a family vacation, I consciously let go of any preconceived ideas of what I want to capture. For me, photography isn’t about checking off a list of must-have shots; it’s about being present and noticing the world as it is in that moment.
Take, for example, a walk with my dog, Pixel. There’s a particular route we follow, and I’ve seen the same trees, trails, and landscapes more times than I can count. But each time I bring my camera along, I try to empty my cup—no expectations, no goals, just an open mind. And without fail, I always end up discovering something new. Maybe it’s the way the light catches a leaf just so, or how a shadow casts an entirely different mood over the street corner I’ve passed a hundred times.
This approach has also been incredibly freeing during family vacations. On a recent trip to Hawaii, I consciously avoided making a mental checklist of what I wanted to shoot. I let the island reveal itself to me. Instead of stressing over the “iconic” shots—like the perfect sunset or the dramatic landscapes—I just wandered, taking in the small, intimate details that felt authentic in the moment. I captured a local vendor selling coffee, a peaceful stretch of beach with no tourists in sight, and even the soft, unplanned expressions on my family’s faces as we explored together. Those photos hold more meaning to me than any perfectly staged shot ever could.
In the book Liminal Thinking, there’s a concept called "Emptying Your Cup." When applied to my photography practice it’s about letting go of preconceived ideas about what makes a good photograph and approaching each new scene with fresh eyes. It is a perfect articulation of what I have already been doing for years. Emptying my cup allows me to stay curious and open, which often leads to more authentic, surprising, and meaningful photographs.
So, if you find yourself stuck in a creative rut or feeling like your photos are becoming too predictable, try emptying your cup. Start a session by consciously setting aside any expectations of what you want to capture. Walk into each scene with a sense of openness, and allow yourself to be surprised by what unfolds. You might just find that the world has far more to offer when you stop telling it what to be.
Keep Shooting,
Kwame
Why the Best Camera is the One You Have with You…Kind Of
I still remember the first time I heard the phrase, “The best camera is the one with you,” coined by Chase Jarvis. It was around the time one of the early iPhones was released, and Jarvis had put together a book entirely made up of photos taken with his iPhone. That idea resonated with me deeply, especially as I was just getting into photography at the time. The phrase perfectly captured the balance between gear mattering—and not mattering at all. But over the years, as I’ve progressed in my own photography journey, I’ve come to tweak that saying a bit: The best camera is the one you have with you… kind of.
Here’s why.
Finding Your Best Gear Takes Time
When I say “kind of,” I mean that the camera you have with you is only the best one if it’s the right fit for you. Sure, any camera can capture a moment, but as you dive deeper into photography, you start to realize that not all cameras are created equal, especially when it comes to your specific needs and preferences.
Over the years, I’ve bought, sold, and traded more cameras and lenses than I care to admit. But through this process, I’ve honed in on the gear that works best for me. I’m currently using a Sony A7 II that’s nearly a decade old, alongside an iPhone that’s a few generations behind, and a Samsung phone that’s not much newer. My Ricoh GR IIIx is my everyday carry camera, but even that’s a few years old now. The Fujifilm X-T5 is my nestest addition and is the camera I take with me anytime we go out for a hike. The funny thing? I absolutely love using every single piece of gear I own. Outside of the X-T5, none of it is the latest or greatest, but I’ve found what works for me.
My Minimalist Approach to Photography Gear
When I first started, I was carrying around a Sony A3000 with a 50mm lens, and I eventually added a 200mm Minolta lens. My backpack was heavy—packed to the brim with gear I thought I “needed” to capture the perfect shot. But over time, I’ve adopted a more minimalist approach. I now trust that whatever I bring will be enough to capture what I want.
Of course, there are moments when I wish I had a different camera or lens with me. Take vacations, for example. If I only pack my Ricoh GR IIIx, I might regret not bringing my Fujifilm X-T5 with its 18-300mm lens when I see a shot far off in the distance. But these moments are few and far between because I’ve learned to work within the limitations of my gear. And, often, those limitations push me to be more creative.
Avoiding the Gear Trap
One of the biggest traps in photography is the obsession with gear. It’s so easy to fall into the mindset that upgrading your camera or adding another lens to your kit will automatically make you a better photographer. But here’s the truth I’ve learned after almost 20 years in the hobby: better photos don’t come from better gear. They come from getting out there, shooting regularly, and learning to see the world through your own unique lens.
I’ve spent years finding the right gear for me—gear that feels like an extension of myself. When I go out now, I don’t worry about whether I have the “right” camera. Instead, I focus on what’s around me, the moments I want to capture, and how I can see something in a new way. The camera is just a tool to document that process.
Legacy Over Fame
At the end of the day, photography, for me, is not about chasing fame, fortune, or Instagram likes. It’s about leaving a legacy. It’s about creating a record that says, “I was here. This is what I saw.”
That’s why, while the best camera might be the one you have with you, it’s only truly the best if you want to use it. If you don’t like your gear, you’re less likely to take it with you, which means you’re less likely to capture those moments that matter. So, find the camera that fits you like a glove, the one you can’t wait to grab when you head out the door. That’s when the magic happens.
Because in the end, the best camera isn’t just the one in your hands—it’s the one that inspires you to see the world and tell your story.
Keep shooting,
Kwame.
Top Reasons to Choose the Tamron 17-50mm F/4 Lens for Sony E Mount
Why I Love the Tamron 17-50mm F/4 Lens for Sony E Mount
Hey everyone, Kwame here! After a month of using the Tamron 17-50mm F/4 lens on my Sony A7II, I want to share why I think it’s the best wide-angle lens I could ask for. This lens has exceeded my expectations with its versatility, size, close-focusing ability, and reliable performance. Let’s dive into what makes this lens such a great option for anyone seeking quality without breaking the bank.
1. The Versatility You Need for Everyday Photography
The 17-50mm focal range makes this lens a powerhouse for various types of photography, from landscapes to portraits. Whether I’m capturing the beauty of nature, moments with my family, or even a street scene, this lens handles it all with ease. When I’m out with my wife and son or even just walking the dog, I can quickly switch from wide-angle landscape shots to closer portraits at the 50mm focal length. This flexibility is invaluable, especially when you’re on the go.
2. Compact and Lightweight Design
One of the first things you notice about the Tamron 17-50mm F/4 is how compact and light it is. It sits comfortably between my Samyang 35mm F/1.8 and the Sony 90mm macro in both size and weight, making it easy to carry around without weighing me down. For photographers who value portability, this lens delivers a great balance of performance and convenience, especially when paired with a smaller body like the Sony A7C or A7CR.
3. Impressive Close Focusing Ability
Close-up photography is another area where this lens shines. While it’s not designed for true macro photography, the Tamron 17-50mm allows for excellent close-ups, capturing sharp details that work beautifully for nature shots like fungi or plants. Tamron lenses often excel in this area, and this one is no exception. It’s versatile enough to shoot everything from sweeping landscapes to intimate close-ups with ease.
4. Reliable Performance and Image Quality
When it comes to performance, the Tamron 17-50mm F/4 is impressively reliable. The autofocus might not be the absolute fastest on the market, but it’s accurate and consistent, which is all I need for my style of shooting. Tamron has refined their technology over the years, and this lens reflects that dedication to quality, even on my older Sony A7II camera body.
Price and Value Comparison
One of the biggest reasons I’m such a fan of this lens is the value it offers. With a price point of around $500, it’s significantly more affordable than Sony’s 16-35mm F/4 and F/2.8 lenses, which can cost up to three times as much. For a hobbyist photographer like me who primarily captures family memories and travels, this lens is more than enough. It does what I need it to do without overextending my budget.
Extra Features Worth Mentioning
The Tamron 17-50mm F/4 comes with a few modern features that add convenience. It has a USB-C port for firmware updates and customizations, which can be done through the Tamron software. While I haven’t customized the lens button functions yet, I’m excited to explore how these added features can enhance my shooting experience.
Final Thoughts: Photography is About Enjoyment
At the end of the day, photography is something that should bring joy. I firmly believe that while gear doesn’t define your skills, it’s important to have equipment that you enjoy using. This lens has brought me a lot of joy, and it keeps me motivated to get out there and shoot. I look forward to capturing more moments and sharing them with you all.
Affordable Photography Gifts for Hobbyists
Explore my curated photography gift guide for 2024 with top picks under $100. Perfect for hobbyist photographers, these affordable yet practical gifts include essentials like memory cards, camera straps, cleaning kits, and camera bags. Each item is thoughtfully chosen to enhance any photographer's kit without breaking the bank. Give a gift that truly supports their passion for capturing moments!
As the holiday season approaches, finding the perfect gift can be challenging—especially when it comes to selecting something special for the photographer in your life. This year, I've put together a practical 2024 gift guide tailored to hobbyist photographers. Whether you’re looking for budget-friendly items, mid-range essentials, or a few luxury splurges, this guide has something for every photography enthusiast.
Photography isn't about having the latest and greatest gear, and I’ve often shared that you don’t need to chase new releases to show your appreciation for someone’s craft. This guide focuses on thoughtful, practical items that enhance a photographer’s experience without breaking the bank. I’ve organized it into three categories: gifts under $100, under $300, and the “Baller Edition” for those ready to go all out. And here’s the best part: every item on this list is something I personally use and genuinely recommend. None of these products are sponsored, and no brand asked me to include them. These are my go-to tools that make photography more enjoyable and accessible.
Photography Gifts Under $100
For those on a budget, there are plenty of meaningful options that don’t skimp on quality. In this section, you'll find practical items like memory cards, cleaning kits, camera straps, and camera bags. Essentials like these can make a huge difference in a photographer's day-to-day work, offering convenience and peace of mind.
Why You Don’t Need the Latest Gear to Capture Stunning Photos: Lessons from My Sony A7II
As a photographer, I can very much say that I have succumbed to GAS—Gear Acquisition Syndrome. You know what I mean: all those photographers on social media, unboxing the latest cameras or showing off that shiny new lens. It's so easy to get it in your head that your work would magically level up if you only had that equipment. I've been there many times, but over the years, I've learned you don't need the latest gear to create incredible images. I have been shooting with my almost 10-year-old Sony A7II and have liked the results.
The newest flashiest camera? Nowhere near. If we'll look at it from today's angle and point of view, it is considered ancient tech; however, the images I capture with it still blow me away: the way it handles color, the dynamic range—just everything clicks with my style. Of course, it is not perfect, and I have been tempted a dozen times to upgrade, but then it clicked: the magic is not in the gear, it's in how you use it. Here are five ways I've managed to resist GAS and stay focused on what really matters—the art of photography.
1. Focus on Storytelling, Not Specs
When I think about some of my favorite photos that impress me—let's say, mine included and shot by other photographers too—I never think about the camera used. I think about the story behind the photo, the emotion it captures. Take Vivian Maier, for instance—her work represents a brilliant reminder of this. She shot on cheap gear, but her photographs have a real timelessness to them, not because of the camera used to shoot them, but because of the moments she shot. Her photography provides an excellent example of why we should focus more on the stories we tell with our images, rather than our gear's specifications.
2. Master the Gear You Already Own
These past years I had to learn the ins and outs of my Sony A7II: how it handled different lighting, what it did great, and where the limits were. I pushed this camera to its limits; honestly, that is half the fun. When you know your gear inside and out, it becomes an extension of your creative process. It's not about having the best or newest camera; it's about knowing how to make the most of what you've got. You can create magic when you are right into the swing of your gear.
3. Practice Over Purchase
I think early on, I would believe that the new lens or the new camera was going to be what took my photography to the next level. But time and time again, growth has come from practice, not purchases. The more I shoot, the more I learn to see this world differently: to notice light, texture, and emotion in ways I didn't before. Every time I go out with my A7II, I learn something new. Those experiences, not the gear in and of itself, have helped me grow as a photographer. No new camera can replace hours behind the lens, honing your craft.
4. Don't Compare Yourself to Social Media
Scrolling through Instagram or watching YouTube reviews about the latest and greatest gear can make a fellow feel like they're falling behind. It would seem that someone is trumpeting some new camera, gimbal, or lens every other day. But here's the thing: just because someone else has the latest and greatest gear doesn't make your work any less valuable. It finally clicked that my images, shot on my "ancient" A7II, are still just as powerful as anything taken on the latest and greatest equipment. Social media is just a highlight reel, and it's extremely easy to get caught up in the feeling that you must keep up. Let me assure you—you don't. Your unique vision and voice are what matter most, not the camera you are shooting on.
5. Invest in Experiences, Not Equipment
I know that if I'm going to spend money on anything photography-related, I really have to invest in experiences over gear. Be it a photography workshop, a trip to somewhere new, or even just taking a day out and exploring with my camera, these experiences have shaped me more than any lens could. Recently, I took my A7II on a road trip and captured some of my favorite shots to date. Being involved in this new environment, finding unique compositions, and shooting with different lighting conditions has been more invaluable to me as a growing photographer. Those types of moments teach you more about photography than any new piece of gear ever will.
Conclusion
I get it, it's easy to get caught up in the never-ending cycle of gear upgrades, especially with how pounded we are by it online. Over the years, though, I learned my Sony A7II—despite being outdated compared to today's standard—is a tool that I can still create amazing images. It's a reminder that the camera is just a tool; the person behind the lens makes a difference. Vivian Maier didn't need the latest tech to make captivating images, nor do we. So, the next time that itch starts to surface and beg for an upgrade, take a moment to reflect: is it the gear holding you back, or possibly the next step to growth is simply more time spent shooting and honing your craft? Chances are, you have everything you need to create something incredible.
Hiking Little Si: A Beginner's Guide to One of the Best PNW Trails
Join me as I explore the stunning Little Si trail near North Bend, Washington! 🌲🏔️ Whether you're a beginner hiker or a nature enthusiast, this guide will help you plan your adventure and capture the incredible beauty of the Pacific Northwest. From essential hiking tips to breathtaking views at the summit, there's something here for everyone.
The Art of Practice
Photography, like any craft, demands dedication and practice. It’s something I have to constantly remind myself to do. No matter how many years I’ve spent behind the lens or how much gear I’ve acquired, one truth remains: consistent practice is the key to growth. It’s easy to get caught up in thinking that once you’ve "mastered" certain skills or techniques, you can sit back and rely on them. But the reality is, photography is ever-evolving. There’s always something new to explore, whether it’s a new angle, a different lighting setup, or an entirely fresh way of seeing the world.
I’ve noticed that when I stop pushing myself to experiment and try new things, I start to feel stuck. It’s like my creativity gets stagnant, and I lose that spark. That’s when I turn to practice as my go-to solution.
For me, consistent practice doesn’t just mean going out and snapping a hundred photos in the same old way. It’s about pushing boundaries and being open to learning. Sometimes, it means stepping out of my comfort zone and shooting subjects or styles I wouldn’t normally gravitate toward. Other times, it’s about revisiting old techniques with a new perspective. The idea is to keep evolving and keep challenging myself.
But even with the best intentions, creative ruts happen. There have been times when I’ve stared at my camera, completely uninspired. When that happens, I turn to one of my favorite resources: The Photographer’s Playbook: 307 Assignments and Ideas. It’s a brilliant collection of prompts, exercises, and challenges designed to get you thinking outside the box. Anytime I feel blocked, I’ll open the book to a random page and tackle an assignment. It’s amazing how something so simple can reignite my passion and help me see things in a new light.
Of course, The Photographer’s Playbook isn’t the only resource out there. If you find yourself stuck, there are countless other ways to practice and experiment. YouTube is a goldmine for photography tutorials and creative inspiration. Sometimes, I’ll pull up a random video and try to replicate a technique or style I’ve never tried before. Other times, I’ll use idea cards or prompts—simple tools that can spark new ideas when I’m feeling uninspired. Another great option is finding a different book, whether it's on photography or even art in general, to get your creativity flowing.
The important thing is to keep going, keep practicing, and keep experimenting. Every photo you take, even the ones that don’t turn out as planned, teaches you something. With each click of the shutter, you’re adding to your experience, refining your craft, and building a stronger foundation for future work.
So, if you’re feeling stuck or uninspired, remind yourself (as I often have to) that it’s okay to take a step back and just practice. Experiment. Try something new. Pick up a book, watch a tutorial, or find a fresh perspective. Photography is a journey, and consistent practice is the map that will guide you along the way.